ABOUT...
Lola Gonzalez is an interdisciplinary artist, dancer, and somatic practitioner whose work explores the body as a space of memory, expression, and transformation. Rooted in dance and movement, her practice integrates artistic creation, psychosomatic approaches, and holistic care.

Through performances, workshops, and participatory projects, she creates sensory and embodied experiences that invite individuals and communities to reconnect with their physical, emotional, and relational landscapes. Her work engages with themes of body memory, resilience, vulnerability, and collective healing within contemporary social contexts.

Lola graduated Cum Laude from the Design Academy Eindhoven in 2023 and has trained in psychosomatic and transgenerational therapy. Since then, she has developed her practice Heal in (e)motion, through which she facilitates individual and group sessions, artistic interventions, and movement-based programs addressing emotional well-being, chronic pain, and embodied awareness.

Alongside her work in dance and somatic therapy, she engages in hands-on artistic practices such as tattooing, drawing, and visual arts, deepening her sensitivity to the body as a site of ritual, identity, and storytelling.

She believes that the body carries personal and collective histories, and that movement can become a powerful language for listening to these stories, transforming them, and cultivating resilience. Her work seeks to bridge art, care, and social engagement, offering spaces where creativity supports healing and self-understanding.



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03 A DANCE OUT OF RANDOMNESS







YEAR:     2023
LOCATION: EYE Filmmuseum Amsterdam

CREDITS: Helder Onkelinx
         Eduard Michalko
         Jalil  
The starting point was physicality and embodiment in arts. Physicality in the context of the relationship a person has with their own body. Embodiment; how as an artist one uses one’s body to be part of, or come to the creation of a work.
The focus of the workshop lied on encounter, connectivity and practical exploration of the inter-disciplines. The starting point was Karel Tuytschaever’s film EASY TIGER. 

Through this exploration we questionned as a group how the physicality of a body could be felt without actually seeing the body. How to create a digital dance and narration from random textures and close ups that we gathered as a group ?
The absence of a physical body is then replaced by a suggested digital presence who guides the viewer in a created abstract story.





Script of a digital Choreography
Selected work